ELSA ESPINO

CREATIVE PROJECT MANAGER/PRODUCER/PHOTOGRAPHER

Creative work, produced with taste and follow-through.

I work across production, photography, podcasting, marketing, and community storytelling. I help shape the idea, organize the moving parts, and keep the work human.

View selected projects
FIFA World Cup 2026What's Your Legacy?
Creative project managementBroadcast and live productionPodcast hosting and producingCommercial and editorial photographyCommunity-centered storytellingMarketing and creative operations

Selected projects

Selected work

Production, podcasting, photography, performance, and community work. Different formats, same goal: make the idea clear and get it done well.

01

Broadcast production

FIFA World Cup 2026

Production work inside a large-scale live sports environment, supporting the people, planning, and communication that keep a broadcast moving.

Live production / logistics / broadcast workflows

Case study coming soon.

02

Podcast development

What's Your Legacy?

A conversation show about the stories people carry, the work they choose, and what they hope lasts.

Host / producer / interviews / show development

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03

Community storytelling

Seattle Rep Public Works

Community Ensemble work with Seattle Rep's Public Works program for the 2024 production of The Skin of Our Teeth.

Theater / public participation / ensemble work

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Visual work

Photography

Portraits, products, and outdoor stories with a strong point of view and a real sense of the person or place in front of the camera.

Features and links

Seen, heard, and credited

A few places my work, voice, and credits show up outside this site.

View the full press page
Editorial portrait with a band of warm light by Elsa Espino

About Elsa

I care about work that feels alive.

I am a Seattle-based creative project manager, producer, photographer, and podcast host. My background moves through commercial photography, video, studio operations, live events, editorial work, theater, and community storytelling.

I am useful when there are a lot of moving parts and the work still needs to feel personal. I can build the plan, coordinate the people, protect the creative direction, and stay close enough to the visuals to know what is working.

I am especially drawn to projects with people in them: identity, representation, recovery, place, memory, and community.